I Walk in Silence When it Comes

Jerry Marshall Wilson - I find Jesus by the Nitty Gritty Dirt Band

After Pap died I was worried about dreaming about him. Sounds silly I know. I was afraid if I dreamed of him it would make me even sadder and I didn't think I could stand that. Then as the days, weeks, and months went by I began to worry about not dreaming about Pap and wondered if I ever would. 

Chitter and Chatter are big dreamers-usually as soon as they awake they start telling the craziness that occurred while they slept. Granny doesn't approve, she will never tell her dreams before breakfast for fear they'll come true. Both girls say they dream about Pap at least once a week if not more. They say sometimes it makes them sad and sometimes it doesn't.

I finally dreamed about Pap Friday before last.

I was at some sort of meal-you know like dinner on the grounds or a family reunion. As I walked beside a long table looking for someone to eat my plate of food with I suddenly saw Pap sitting on the other side of the table with his own plate of food. I stopped and literally screamed "DADDY!" He gave me a smile and a small chuckle like he'd been waiting on me to find him and in the way of dreams the rest is pretty hazy. 

I once heard Jimmy Ibbotson, of Nitty Gritty Dirt Band fame, tell how he dreamed a song.

A few months after his father passed away he dreamed he was in a southern church where he didn't recognize anyone. The congregation started asking him to sing his new song-he told them he didn't know what song they were talking about. Someone tapped him on the shoulder and when he turned around it was his father. His father told him to go on and sing the song for them. As he walked up front and began to sing the words just flowed out and that's how the amazing song was written or dreamed.

For this week's Pickin' & Grinnin' In The Kitchen Spot Jimmy Ibbotson's song I Find Jesus.

I hope you enjoyed the song, it has great words and the story behind how it was written makes it even more special to me. 

Tipper

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20 Years Ago

Twenty years ago gainesville ga birth

Twenty years ago today, The Deer Hunter and I were planing and packing for my scheduled delivery of the girls. The photo above was taken on the following morning. The big day had finally arrived and there was no turning back.

Every time I see the photo I think "We're looking at each other like how in the world did we end up here and what the heck are we going to do about it?" Not that we weren't happy to be expecting parents, but twins? Geesh we didn't even know if we were ready for one child and somehow we were about to end up with two. 

I won't bore you with the details, but my pregnancy was a nightmare. From the start I had every pregnancy aliment you can think of and a few you've probably never even heard of!

By the time I had the girls I had already been admitted to the hospital at least a half a dozen times for one complication or another and then the scheduled delivery ended up in a rather hurried c-section on top of all of that. 

Twins in appalachia

We knew very early on that I was carrying twins. It seemed like everywhere I went someone told me they prayed for twins or that having twins was their life long wish. Honestly, I felt so miserable that having twins wasn't something I was happy about. Every time someone shared their twin dream with me I thought "Well I wish you were having twins too-instead of me-then maybe I wouldn't be so sick!

First Birthday Party

After the girls were born, it didn't take me long to realize I had been given the ultimate gift. No wonder all those people wanted twins.

Having the girls in our lives has filled every day of the last 20 years with brightness and joy. We will be forever grateful they were given to us. 

The pressley girls playing in gainesville ga

Today the girls will be playing in Gainesville, GA the city were they were born. We scheduled the gig months ago and I never even thought about it being the day before their birthday, but it somehow seems fitting. 

I'm thankful we get what we need...even when we don't even know we need it. 

Tipper

p.s. The Pressley Girls will be playing at the following places this weekend: 

  • TODAY - Saturday September 24, 2016 @ 1:00 p.m. Chattahoochee Mountain Music Festival
    Don Carter State Park Gainesville, GA
  • Sunday September 25, 2016 @ 10:00 a.m. Oak Grove Baptist Church Hwy 294 Murphy NC

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Olive Dame Campbell 1882-1954 and JCCFS Fall Festival Ticket Winners

Today's guestpost was written by Rooney Floyd.

Olive Dame Campbell

A TRIBUTE TO OLIVE DAME CAMPBELL, 1882—1954 written by Rooney Floyd

Olive Dame was born the daughter of a middle class New England family of Mayflower descent. Her father was a talented botany teacher and school principal. A gifted mother taught her early the love of art and music. She enjoyed an active, rich youth that developed an inquiring mind and strong, determined will. These attributes would serve her well in the coming years of adventure with future husband, John C. Campbell, and later as the founder and director of the Folk School she named in his honor. Though less well known, she became one of the leading social reformers of her time.

After graduating from Tufts College in 1903, she taught literature several years before planning a vacation voyage to Scotland in 1906. On the voyage, she met John Campbell who was traveling to his ancestral homeland to recuperate from the loss of a wife and the stress of being President of Piedmont College. Olive was a smart, talented and dedicated Christian woman with a great sense of humor. She had indeed been called to serve humanity through education. In these ways, she was a lot like John. By trip’s end, they were engaged. Olive and John married in 1907 in her home town in Medford, Massachusetts.

The Campbells were among the first to recognize and appreciate the diverse character and skills the Appalachian people had developed in their extremely isolated existence. For this reason they disagreed with the prevalent stereotype of mountain people held by those of formal education at that time. They found that social workers had little understanding of the people they were sent to help, or what their real strengths and needs were. There was a void of credible information on Appalachian social conditions, and the small amount that existed was invalid. Thus, the Campbells planned to make a comprehensive study of the Southern Appalachian Mountains.

After receiving a grant from the Russell Sage Foundation, they set off on a four-year journey, (1908-1912), on horseback and by covered wagon extending over portions of eight states forming a region John later named the Southern Highlands. They visited numerous communities, schools, churches, government officials, and families in the region to inquire what the people actually wanted in the way of assistance for their social and economic development. Olive kept a detailed journal of the entire survey journey as well as collected traditional English folk songs still preserved by word of mouth in the mountain families. 

Education was the most frequently given answer by the people as to their needs. They wanted education for adults who were living on the land with the intention of staying there. Schools separated students based on performance. Better performing students were furnished additional opportunity for continuing education. This further education, however, took the individual from his home to work in the city. Those who stayed to work the land were virtually unschooled.

The Campbells had read about the Danish folk schools that provided a different kind of non-competitive education for rural adults. These schools had yielded contented, productive inhabitants on very successful farms for over 60 years. They believed the Danish model could be adapted to the Appalachian situation and enable the mountain people to live happy, productive lives in their home environment by efficient farming, cooperatives, and development of their art and craft skills. Upon completion of the Appalachian survey, the Campbells planned a year-long study of the Danish folk schools.

When the outbreak of World War I forced cancellation of their Danish trip, the Campbells continued their Appalachian work living in Asheville, N. C. During this time, Olive and John lost two infant daughters. Olive dealt with the loss by completing her ballad collecting work which lead to the publication of English Folk Songs from the Southern Appalachians by Olive Dame Campbell and Cecil J. Sharp, in 1917. Within two years John died at the age of 51 leaving Olive to fulfill their dreams. She took all of their notes to Nantucket Island and methodically compiled their survey which was published as The Southern Highlander and His Homeland by John C. Campbell, in 1921. After the war ended, the time had come to pursue the Danish folk school project.

Olive secured a fellowship for the study of adult education from the American-Scandinavian Foundation and left for Denmark in 1922 to study the Danish folk school system. She took with her a young fellow mountain worker, Marguerite Butler, who would later become her assistant in founding the John C. Campbell Folk School in Brasstown, N. C. During this time, Olive was at the peak of her health, strength, and mind for the new adventure. After eighteen months of visiting most of the 150 folk schools, the two determined ladies returned armed with enough of an intellectual and spiritual grasp, enthusiasm, and experience to implement the Danish folk school model in Appalachia. Olive’s zeal, discipline, and devotion had merged in a tremendous sense of calling to the field of mountain work. For the next few years as Olive continued her work with the Conference of Southern Mountain Workers. She and Marguerite also began the task of selecting a site for the new folk school. Additionally, she wrote and published The Danish Folk School by Olive D. Campbell. It has been called “the most understanding book on the subject ever written.”

By 1925, Olive had chosen the community of Brasstown, N. C. to locate the folk school. It was ideal not only because of the absence of competing large towns or industry, but also because the local people very much wanted the school and pledged the needed support. This marriage of school and community, though tiny compared to the whole Southern Highlands region, was destined to become a model of effectiveness and progress over the next three decades as Olive directed the school through the Depression and World War II. It had truly become an asset to the community where many of the local families were enlightened, progressive, and contented; thus allowing them to stay upon the land successfully.

Olive retired in 1946 and returned to Medford to continue her robust correspondence and draft The Life and Work of John Charles Campbell, her husband’s biography. WW II had ended, the national economy was in an upswing, and the Craft Revival in America was beginning. As always, the Folk School continued to adjust to change by considering it new opportunity. With a new mission, and through a series of new directors, the Folk School served students from a much larger area, first regionally, then nationally and internationally. Even with all these changes, the school still offers people from the local area, ways to improve their quality of life while it also provides a unique resource to a much broader base as well. The emphasis has shifted more and more to arts and crafts reflecting Olive’s guidance that “the form the school takes is always to be based on the need.” In spite of 90 years of considerable change, most of the important, underlying Danish folk school principles remain, keeping the unique institution true to the founder’s dream. In retrospect, her entire life had been preparation for this accomplishment.

Olive Dame Campbell was a gifted, selfless lady of boundless mental and physical energy. Believing in the value and uniqueness of the individual, she came to the mountains with a “listening ear.” Her goal was to stimulate creativity, cooperative effort, and personal growth that never stopped. She endeavored to bring rural life to relate to the larger world while achieving satisfaction and fulfillment. Her colleagues regarded her as one who, in all situations, could be counted on to do the best that she could do. She was known for her wise, practical, and successful approach to controversial issues. Her stated purpose of the folk school, “to awaken, enliven and enlighten a community with lifelong learning,” explains the school’s motto, “I Sing Behind the Plow”.

Rooney Floyd, Brasstown, N.C., July, 2015

Sources

  1. “Mountain Life & Work

      Magazine of the Southern Mountains”

      No. 4, 1954

  1. Appalachian Travels, The Diary of

     Olive Dame Campbell, 2012

     Edited by Elizabeth M. Williams

  1. DVD: Sing Behind the Plow:

     John C. Campbell Folk School

     UNC-TV and John C. Campbell Folk School

     Copyright 2008

  1. File of John R. Floyd, Jr.

     (Various notes from the Archives, and staff

       interviews of the John C. Campbell Folk

---------------------------

I hope you enjoyed Rooney's guest post as much as I did! 

The John C. Campbell Folk School will hold its annual Fall Festival October 1 & 2 from 10 a.m. to 5 p.m. Daily admission: $5 for adults, $3 for ages 12-17, and free for children under 12.

Chatter and Chitter will be clogging with the Kudzu Kickers on the Festival Barn Stage at 1:20 p.m on Saturday October 1st.

The Pressley Girls will perform on the Festival Barn Stage at 2:00 p.m. on Sunday October 2nd. If you make it to the festival PLEASE come up and say hello! If you'd like to see the complete list of performers for the two day festival go here

The JCCFS generously donated 4 Fall Festival tickets for me to giveaway here on the Blind Pig which allowed for there to be 2 winners. The winners are:

  • Karen Twiss who said: Would love to go to the Folk School Festival this year!!!!
  • Gerry who said: I would like to receive tickets to the JCCFS Fall Festival for Saturday or Sunday. I enjoy reading your blog and look forward to it daily.

I hope everyone who wants to attend the festival gets to go. I'll offer a few tips in case you've never been to a JCCFS Fall Festival before: traffic can be extremely heavy so if you plan to be at the festival to catch a certain performance you will need to allow for extra driving time; the festival is spread over a large area which means you may be walking a far piece from where you park; most of the walking will be on trails so sturdy shoes will be your best choice of foot-wear; and there are food vendors so if you want to make a day of it you don't have to worry about going hungry.

Tipper

p.s. The Pressley Girls will be playing at the following places this week: 

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Let me Introduce You to Mommy Goose

Mommy Goose Rhymes from the Mountains by Mike Norris

A few months ago I stumbled upon an article about the book  Mommy Goose Rhymes from the Mountains written by Mike Norris. The piece grabbed my attention because as a child I loved nursery rhymes and as an adult I still love them. If you've been reading the Blind Pig and The Acorn for a good long while you'll probably remember my series on rhymes.

Once I realized Mike's book contained rhymes written in the rich colorful language of Appalachia I knew I had to get my hands on a copy and see if it was too good to be true because I figured it was.

The University Press of Kentucky was gracious enough to send me a copy of the book, and Mike sent a CD of the book as well.

MOMMYgooseANDfriends

The book is wonderfully illustrated with photos of over a hundred hand carved and painted works by Minnie Adkins who has permanent collections in the Smithsonian American Art Museum, the National Gallery of Art, and the Kentucky Folk Art Center.

The book is filled with 50 original rhymes written by Mike Norris himself.

So was the book too good to be true? Nope it was true! The language Mike uses is so spot on that I embarrassingly told him I thought I had heard a few of the rhymes-which was an impossibility since he wrote them himself. 

It's not just the words he uses throughout the book, its the manner they are used in and the subject matter that they weave themselves around that shouted out to me a real Appalachian penned them. Even the title of the book is perfect. I know many older folks, including a few Blind Pig Readers, that still use the word Mommy to describe their mother. 

Mike said I could share some of the rhymes with you. It was almost impossible to choose which ones because I loved them all and I had something to say about most of them too.

Little Mary written by Mike Norris

Little Mary wouldn't mind,
And said things to sister that were unkind.

(My hair’s prettier than yours.)

She'd stomp her feet and hold her breath,
And scare her mommy half to death.

She grew up and had twin girls,
With big blue eyes and yellow curls.

They were cute at first,
Then acted just like her, but worse.

-----------

I loved this one because when I was a child Granny often cautioned me to be good and not end up like so and so who was a mean little girl. I also liked it because I know it would have been a favorite of Chatter and Chitter's when they were small. They were often mischievous girls and would have liked reading about Little Mary and her mean twin girls. 

-----------

Harlie Creech written by Mike Norris

Harlie Creech was over neat.
He swept the house morning and night.
He ironed his socks and starched his sheets, 
And used a yardstick to get the quilts right.

South down the road lived Mildred Mays,
And in that direction Harlie would gaze.
Her hair was perfect, her shoes shinned slick,
But Harlie hesitated, suspecting a trick.

Who knew what horrors lay in store, 
Rumpled pillows, crumbs on the floor?
At last his love made him risk the ordeal,
And Harlie invited her for a meal.

He scrubbed the house once, then again.
With trembling hand he welcomed her in.
Then Harlie froze and held his breath,
As Mildred Mays passed the test:
She took one look and said,
"This place is a mess."

-----------

Pap would have said Harlie was particular and Mildred was beyond particular. 

-----------

Cow’s in the Barn written by Mike Norris

Cow’s in the barn.
Kitten’s in the yarn.
Daddy’s in Harlan,
Bending his arm.

-----------

Mike pointed out to me that towards the back of the book the rhymes touch on the darker aspects of life in Appalachia. As the rhyme above shows Appalachia is no stranger to societies woes. 

-----------

The Mommy Goose cd contains a song Mike wrote about Mommy Goose. The song along with the music is in the back of the book so anyone interested can learn it themselves. The cd also contains a very nice narration of the book by Mike and a conversation between Mike and Minnie that will leave you smiling for the rest of the day. Me missing Pap is no secret to any of you. Hearing Minnie's sweet voice use so many of the words, sayings, and phrases Pap used was a true balm for my soul.

I asked Mike where the best place to purchase the book and cd was and this is what he said:

"The CDs are only available from me [$10 each] at this email address mike.norris9@gmail.com, or in the Collector's Edition of the books [we have 2 others, Bright Blue Rooster, and Sonny the Monkey] which also have original permanent-inks art by Minnie on page 1--These are $40 each and may be ordered from me or Minnie.

Bookstore versions of the book may be ordered many places online, but Amazon and The University Press of Ky [it's the university press of the whole state, not just UK] are two good sources. Folks can listen to the song for free at this link."

If there is a child in your life or a rhyme loving adult like me I suggest you buy Mike's outstanding book and cd for them. Both items would make dandy birthday or Christmas presents. The cd is more than worth the money for the conversation between Minnie and Mike alone. I hope the talk between them is in an Appalachian Museum somewhere so that it will be preserved as part of our history-it is that good. 

Preserving our language is a cause that is near and dear to my heart and I commend Mike for trying to keep our rich colorful Appalachian Language alive. 

Tipper

p.s. The Pressley Girls will be playing at the following places this week: 

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Appalachian Vocabulary Test 92

Unique words from appalachia

It's time for this month's Appalachian Vocabulary Test. 

I'm sharing a few videos to let you hear some of the words too. To start the videos, click on them and then to stop them click on them again. 

Take it and see how you do! 

 

A video posted by Tipper (@blindpigandacorn) on


1. Easy: relived of pain. "I was suffering something awful during the night but I'm easy right now."

 

A video posted by Tipper (@blindpigandacorn) on


2. Everwhat: whatever. "Everwhat he was doing sure was loud. Sounded like somebody was blowing something to kingdom come."

3. Eh law: a mild oath for expressing a range of emotions. "She's down there in the hospital and ain't never going to be able to work again and now the company is closing and he's lost his job. Eh law I don't know what they're gonna do." (You can go here to hear Pap use Eh Law.)

4. Easing powders: an analgesic. "See if you can find any easing powders in that cabinet. I've got a terrible headache."

 

A video posted by Tipper (@blindpigandacorn) on


5. Elijah room: a separate room of the house for a stranger to stay in; a room closed off from the rest of the house. "Grandpaw said his mother always kept an Elijah room for people who were traveling by to stay in. That way they didn't have to stay right in the same room with the family."

This may be the first time I almost failed my own test! I've never heard anyone use Elijah room nor easing powders. The rest are beyond common in my area of Appalachia. How did you do on the test?

Tipper

p.s. If you live close enough to attend and haven't entered the JCCFS Fall Festival ticket giveaway-go here to enter! The Giveaway ends TODAY!

p.s.s. The Pressley Girls will be playing at the following places this week: 

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Results of the Sow True Seed Cucumber Reporting @ Large

Sow true seed marketmore cucumber

Sow True Seed Marketmore 76

Time for the final report on the Sow True Seed Cucumber Reporting @ Large project!

Tipper:

Our entire garden suffered this year because of the hot dry weather. It was not the year for anything! I'm positive all my Sow True Seed Cucumbers would have done better with more of the wet stuff and less of the above average temperatures. 

Slicing Cucumber Muncher: While this one was a great producer-I don't think I would grow it again. It just didn't taste much like a cucumber.

Richmond Green Apple: I've been growing this one for a few years and will probably continue to grow at least one or two plants each year.

Marketmore 76: The one was similar to the muncher above. Probably would not plant it again either. 

Boston: I really liked this one and plan on growing it again. 

Bush Pickle: I grow this one every year because it produces great and tastes great. The bush pickle came through as it always does for us. 

Another cucumber that is a must plant for us is the Arkansas Little Leaf from Sow True Seed. The variety wasn't part of the reporting project, but its hands down my favorite cucumber to grow. And as always it's did great in the garden this summer. 

Comptonia - Quinn

Quinn who grew the Sow True Seed Suyo Long:

Since it seemed all seven seedlings were likely to survive, I thinned them by - why not? - moving four plants to a raised bed by the goat barn, to see which conditions the cucumbers might prefer. All seven plants have done well all summer! As they grow, those strange, spiky-looking bright green things become strange, spiky-looking little white nubs. They may look sharp, but they aren't. I've even seen them described as "thorns" but I guess those people have never encountered an actual thorn! These little nubs just brush right off when you run a hand over the cucumber. The suyo cucumbers certainly earn their "long" title, and most of mine were grown on a trellis and have been quite straight. I love the texture of the suyo peel; it is crisp and not bitter at all. A few of the cucumbers got so big the seeds developed so I scraped out those cores as a treat for the hens. LeShodu, my Matriarch doe, greatly enjoys eating the strips of rind, one by one. I think her teeth may not be as strong as they used to be, so this is a nice way for her to get some soft "bark" without actually having to gnaw on a tree.

---------------------------

Linda:

My results were not very good this year. I have been gardening for over 30 years and felt pretty bad about my results.  All of the seeds were in a very sunny area, the plants had soaker hoses and mulching to control the water needed,  and the plants were provided 6 foot tall trellis lines.
 
The Boston pickling cucumber did not produce at all.  Despite a good location, soaker hose and adequate water less than 8 seeds germinated.  The few cucumbers produced were great for eating raw. Nice crunch and very pretty color and skin.
 
The Muncher slicing cucumber came up almost over night and sent out more flowers than I have ever seen. The stems seemed to drop about 50% of the cucumbers before they were an inch in size. We enjoyed a reasonable number during the summer. I would not allow these to get much over 5 inches in size as they seem to loose taste as they get larger. The skins are smooth, there are a lot of seeds in the very middle so there is a lot of cucumber flesh.
 
The Suyo Long was our favorite. They took a while to start producing but the taste was fantastic. They are a bit spiny so I would suggest handling with a towel. This cucumber had crisp flesh and seeds were minimal. I would grow this one again.
 
I am sorry to report that I had a problem for the first time ever with pickleworm and then powdery mildew. Our 80 days of above 90 degree days and the humidity did not help at all. I usually look forward to picking enough pickles this time of year to make relish with. However, this year we are pulling up all the remaining vines this weekend and burning them to prevent further problems.
 
I am located in Northeast Georgia midway between Atlanta and the South Carolina border. 
---------------------------
 
Alice:

Our season started out with heavy rains; at one point some of the plants were under water. Once the ground began to dry a little, they started to recover and were on their way. I tried the Suyo and the Muncher along with Marketmore seeds I had saved previously. 

The Suyo is a real garden wonder. Not only a prolific producer, but tasty as well.  It stays crispy for days after picking. It has earned a spot in my garden in the future.

The muncher did not bear well. The plants were beautiful, but didn’t have a lot of cucumbers. I probably would not plant this one again.

The marketmore continues to put on fruit. It continues to be my favorite, the flavor is good, it produces a lot, and stands up to the weather well.

The only pests we had this year was the Mexican bean beetle. They seemed to favor the muncher more than the others.

Even though the recent drought has been hard on the garden, we have harvested a lot of cucumbers. Thanks for including me in the cucumber trials. 

---------------------------

If you signed on to be a Cucumber Reporter @ Large leave a comment with your final report so that everyone can see how Sow True Seed Cucumbers did at your place. 

Tipper

p.s. If you live close enough to attend and haven't entered the JCCFS Fall Festival ticket giveaway-go here to enter!

p.s.s. The Pressley Girls will be playing at the following places this week: 

Subscribe for free to Blind Pig And The Acorn by Email


How to make Gritted Bread from Fresh Corn

Growing field corn

A few years ago Pap taught me to make gritted bread. He remembered his mother making a version of gritted bread that used dried corn and one that used fresh corn. Today I'm going to share the fresh corn version with you.

Pap said after the corn was picked it was allowed to dry out slightly. A grater, usually a homemade one, was used to remove the corn from the cob. After mixing sodie (baking soda), salt, buttermilk or sweet milk, and an egg or 2 with the corn it was fried or baked and eaten as bread. Pap says this 'fresh' version of gritted bread was made at the end of the growing season when the corn began to harden, but wasn't dried completely.  

Grating corn 

Pap used Granny's grater for the corn we used. He said when he was a boy most folks had a homemade grater. Some folks used nothing more than an old can with nail holes punched in the end or side while others used more elaborate ones made from a piece of tin stretched over a board with parts of the tin tore back to form the 'graters'.

How to make gritted bread

Pap's Fried Gritted Bread

  • 1 ½ cup grated corn
  • 2/3 cup plain flour (all purpose)
  • 1 teaspoon salt
  • 2 ½ teaspoon sodie (baking soda)
  • 1 egg beaten
  • 1 cup of milk
  • 2 tablespoons bacon grease

Add flour, salt, and sodie to grated corn.

Add beaten egg to milk and stir; add bacon grease to milk mixture and stir.

Pour milk mixture into corn mixture and stir well. Pap said the batter should be like pancake batter. If needed additional flour or milk can be added to thicken or thin.

Cook in hot frying pan as you would pancakes.

Print Pap's Fried Gritted Bread (right click to open link and print recipe)

Gritted bread 3

Pap said he should have fried it like potato cakes but since we were talking-he forgot and poured the whole pan full. Once it was browned on one side-he cut down the middle and flipped both pieces so the other side could cook.

So what did I think-I liked it! When we made the other version of gritted bread with dried corn I could only imagine eating it if I had to. The fresh corn version was very good and I could see how folks would enjoying eating it plain or with a smear of honey which is how Pap likes it.    

Have you ever had gritted bread-or even heard of it?

Tipper

p.s. The Pressley Girls will be playing at the following places this week: 

September 24, 2016 @ 1:00 p.m. Chattahoochee Mountain Music Festival
Don Carter State Park Gainesville, GA

September 25, 2016 @ 10:00 a.m. Oak Grove Baptist Church Hwy 294 Murphy NC

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What Makes you Feel Young?

Original music by Paul Wilson in Appalachia I'll be Young

Paul, Tipper, Granny Gazzie, and Steve 

I'm sure you've heard someone say "Getting old isn't for sissies" meaning the older you get the more aches and pains a body seems to have. Thankfully no matter what our age there are things we see, feel, hear, or think upon that instantly makes us feel young again. 

As the girls were growing up I was often reminded of things I hadn't thought about in years and as I witnessed the events I felt like I was a young girl again. You know things like the pure joy of playing in the creek, making mud pies, and those hand clapping rhymes like Ms. Mary Mack Mack Mack all dressed in black black black.

Since my entire life has been surrounded by music it's often a song that makes me feel young again. When I hear a song from childhood it makes me feel like I'm a little girl hiding behind Pap or Granny's legs instead of a momma with two grown girls of her own.

When I'm outside on a warm summer night seeing the lightning bugs and hearing the katydids and frogs I feel young again. I'm taken back to the days of playing hide-n-seek, telling ghost stories, and walking home in the dark to a house lit up with love.

Today's Pickin & Grinnin Spot features a song written, by Paul, I'll Be Young.

I'll Be Young written by Paul Wilson

When time like a freight train has passed me by and spring has long since sprung
Somewhere in a rocking chair with my mind made up I'll think of you and I'll be young

I'll be young I'll be young
Deep within my heart
I'll be young I'll be young I'll be young

When the days of my youth like grains through the glass have fallen swiftly past
And the spryness of my body is completely gone I'll think of you and I'll be young

I'll be young I'll be young
Deep within my heart
I'll be young I'll be young I'll be young

When I'm lying in the ground no one remembers me and the weeds grow tall o're my head
And the end of the world has just begun I'll think of you and I'll be young

Oh I'll be young I'll be young
Deep within my heart
Yes I'll be young I'll be young I'll be young

I hope you enjoyed Paul's song-it's a real toe-tapper with great words. Please leave me a comment and let me know what makes you feel young.

Tipper

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Sunshine Folklore

This post was originally published here on the Blind Pig in 2012.

B. Nabors God Drawing Water

God Drawing Water painted by B. Ruth

B. Ruth's comment on my recent post Sun Drawing Water:


Yes, I have heard that all my life...but that "God was drawing water!" One time I painted a lake scene with dark clouds...I showed it to my art teacher, he said "Did you purposefully draw the rays of the sun thru the clouds going down to the ground?"..."Course I did...they are drawing water!" He laughed and said, "I don't know about that!" and a few other comments about my shafts of light..Kinda broke my heart, as I was sorta proud of the effort...You know what, just for spite, I didn't change it and still have that painting today..."Please teachers, give students some kind of encouragement, even if you differ in their beliefs...After all, art is in the heart and mind of the artist as well as the viewer!!...

My first emotion after reading B.'s comment was a touch of anger at an art teacher who would squash a student's artistic creativity by bringing into question her beliefs.

After I got over being a little put out by B.'s teacher, I noticed she most often heard the sun rays referred to as "God drawing water" instead of the phrase Granny commonly uses "the sun is drawing water."

My thoughts on the sun drawing water made me think of other sun related folklore in Appalachia.

Sunshine folklore from appalachia

  • If the sun shines while its raining (like in the photo above) it's said the Devil is beating his wife.
  • If the sun rises brightly on Old Christmas-the coming summer will be good for fruit trees and bushes.
  • If the sun shines while it's raining-it'll rain at the same time the next day.
  • It will rain the following day if the sun sets with clouds.
  • Red sky in morning sailors take warning Red sky at night sailors delight (I know this one is common all over the world)
  • If you lay a black snake over a fence or tree with its belly facing the sun-it will soon rain.

We even use the sun in a few of our colorful sayings:

  • Why he thinks the sun rises and sets in his hind end!
  • Happy as a dead pig in sunshine.
  • The sun don't shine on the same man all the time or The sun don't shine on the same dog all the time.

In Appalachia we often say sundown and sunup instead of sunset and sunrise.

I'm positive I left out much on the subject of sunshine-please add any folklore or sayings by leaving a comment!

Tipper

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Want Tickets To JCCFS's 2016 Fall Festival? I've Got some to Giveaway!

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As most of you already know, the John C. Campbell Folk School plays a huge role in our lives. I consider myself very fortunate to live just down the road from the John C. Campbell Folk School.

The first time I remember being at the folk school, I was about 6 years old. My class at school had planned a field trip to the folk school. My Mamaw, Marie Wilson, worked in the craft shop. Instead of taking the bus with the other kids I rode to work with her that morning.

Even though the days, weeks, and years have passed quickly by since that day, I still vividly recall the trip as the beginning of my fascination with the folk school. First there were the carvings-dozens of little animal figures any child would have been spell bound by them. There was the sliding door refrigerator with more fruit in it than I’d ever seen before, and as I wandered around and lost my way there was the nice housekeeper who let me follow her back to Mamaw-never scolding me for prowling around and getting lost.

Through the years the folk school continued to weave its way through my life. Pap has performed at many a fall festival and Friday night concert. The folk school even aided in one of the greatest achievements of his musical career when they assisted the North Carolina Arts Council in awarding Pap and his brother the North Carolina Folk Heritage Award for their music as The Wilson Brothers. You can even read about Pap in the JCCFS's History Center

The folk school continues to be a part of my life today. Chatter and Chitter clogged on the John C. Campbell Folk School Clogging Team for many years; I teach an Appalachian cooking class for them; we all enjoy attending contra dances; and the whole Blind Pig Gang performs often at the folk school and is always on one of the stages during fall festival.

When Olive Dame Campbell opened her beloved folk school it was primarily to help our little community of Brasstown and the surrounding area. Her vision was to teach local folks how to use the techniques and talents they already had to better their lives.

To be sure, people from all over the world benefit from the John C. Campbell Folk School. However, every year when we take our places on the festival barn stage, I know Mrs. Campbell would be proud. Not because of our musical awesomeness, but because 4 generations of the Wilson family who live just down the road, have intertwined their lives with her dream.

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Details:

JCCFS Fall Festival - October 1 & 2 from 10 a.m. to 5 p.m. at the John C. Campbell Folk School. Daily admission: $5 for adults, $3 for ages 12-17, and free for children under 12.

Chatter and Chitter will be clogging with the Kudzu Kickers on the Festival Barn Stage at 1:20 p.m on Saturday Oct 1st.

The Pressley Girls will perform on the Festival Barn Stage at 2:00 p.m. on Sunday Oct 2nd. If you make it to the festival PLEASE come up and say hello!

Live close enough to attend the festival? The Folk School generously donated tickets for me to giveaway-so if you want the tickets-leave a comment and tell me. The tickets are good for one day of the festival, whichever day you decide to attend.

To be entered in the giveaway, all you have to do is leave a comment on this post telling me you want to win the tickets. The giveaway will close on Wednesday September 21 at 3:00 p.m.

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Be on the lookout for a guest post about Olive Dame Campbell written by Rooney Floyd. 

Tipper

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